While Lennon claimed to have always been politically minded, given his working-class upbringing in class-conscious England ("I've been satirizing the system since my childhood," he once mused), rock-pop sensibilities, clever wordplay, or matters of the heart usually took precedence in his musical output. But here Lennon and Yoko, accompanied by New York's Elephant's Memory, sing and scream freely against sexism in "Woman Is the Nigger Of The World" and "Sisters, O Sisters." They protest incarceration in "John Sinclair," "Attica State," and "Born In A Prison," colonialism in "Sunday Bloody Sunday" and "The Luck Of The Irish," and racism in "Angela." The richness of Phil Spector's production fills out the danceable grooves on nearly every track. Also featured is Lennon's paean to his adopted home, "New York City," with allusions to doping clerics and transsexual rockers as well as the highly quotable line, "What a bad-ass city!" On the bonus disc, Lennon and Ono get it on with Zappa and the Mothers in live sets from London and New York. Things heat up considerably with "Cold Turkey," freak out with "Don't Worry Kyoko," and veer into the ridiculous with audience participation on "Scumbag." SOMETIME IN NEW YORK CITY is some of the groovin'-est, most tuneful agit-prop ever committed to disc.
Limited double vinyl LP repressing of this album from the Rock icon. Released in 1972, it is John Lennon's third post-Beatles solo album, fifth with Yoko Ono, and third with producer Phil Spector. This album found the Lennon's in an explicitly political phase; understandable as Lennon was neck-deep in his struggle to remain in the United States, a conflict rooted in his anti-war and anti-establishment politics and the enmity of the Nixon administration. While John's former songwriting partner Paul McCartney may have had a more commercial appeal after the Beatles split, Lennon's work was a bit looser, edgier and laced with wit, wisdom and a dab of venom. Sometimes shambolic and often beautiful, John's solo work took a separate journey than Paul's but is just as riveting four decades later.
- Format: Vinyl
- Genre: Rock
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