South African via Berlin Indie Pop darlings Dear Reader return with Day Fever, their fourth album on City Slang and the first, in four years. It was recorded in John Vanderslices San Francisco studio, Tiny Telephone. Well-known as a producer for acts like Spoon and The Mountain Goats, and a musician in his own right, Vanderslice has made a name for himself in analog recording, something Dear Reader hadnt explored prior to the decision to record at Tiny Telephone. Already far from home in Berlin, the South African musicians trek to San Francisco meant a huge adjustment in terms of her recording style. Recording on tape helped Dear Reader mastermind Cherilyn MacNeil commit to the performance and narrative act of making an album, and to break, in her words, the habit of editing the life out of things. In Day Fever, those old habits have died, and hard. The raw, melodious, at times discordant record has most certainly retained its life, left fresh and untrampled by infinite do-overs. In fact, each song on the album is the result of just one, or a maximum of two, studio performances. Day Fever sounds more minimal, more vanguard than Dear Readers previous albums, bending to match the albums thematic pitch: if Rivonia (2013) pulled us back into MacNeils (and South Africas) history, Day Fever slingshots us into the present to confront life in real time.
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- Format Detail: LP
- Genre: Rock
- Format: Vinyl
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