Limited double 180 gram vinyl LP pressing in gatefold jacket. Remastered from the original analogue tapes by James Guthrie, Joel Plante, and Bernie Grundman. The Wall is the 11th studio album by Pink Floyd, originally released in November 1979. It is the last studio album released with the line-up of guitarist David Gilmour, bass guitarist/lyricist Roger Waters, keyboardist Richard Wright, and drummer Nick Mason before Wright left the band. As with Pink Floyd’s prior three albums, The Wall is a concept album, exploring themes of abandonment and personal isolation. It is a rock opera that follows Pink, a character whom Waters modeled after himself and the band’s original leader, Syd Barrett. Waters conceived the album during Pink Floyd’s 1977 In the Flesh Tour, when his frustration with the audience became so acute that he imagined a wall between the audience and the stage. The album was one of the best-selling of 1980, and by 1999 it had sold over 23 million RIAA-certified units, making it the third highest certified album in the United States.
|A1||In The Flesh?|
|A2||The Thin Ice|
|A3||Another Brick In The Wall Part 1|
|A4||The Happiest Days Of Our Lives|
|A5||Another Brick In The Wall Part 2|
|B1||Goodbye Blue Sky|
|B4||One Of My Turns|
|B5||Don’t Leave Me Now|
|B6||Another Brick In The Wall Part 3|
|B7||Goodbye Cruel World|
|C2||Is There Anybody Out There?|
|C5||Bring The Boys Back Home|
|D1||The Show Must Go On|
|D2||In The Flesh|
|D3||Run Like Hell|
|D4||Waiting For The Worms|
|D7||Outside The Wall|
The Wall was Roger Waters’ crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters’ own experiences and the tendencies he’d observed in people around him. By then, the bassist had firm control of the group’s direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, The Wall was a mighty, sprawling affair, featuring 26 songs with vocals: nearly as many as all previous Floyd albums combined. The story revolves around the fictional Pink Floyd’s isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd’s show (“In the Flesh?”), then turns back to childhood memories of his father’s death in World War II (“Another Brick in the Wall, Pt. 1”), his mother’s over protectiveness (“Mother”), and his fascination with and fear of sex (“Young Lust”). By the time “Goodbye Cruel World” closes the first disc, the wall is built and Pink is trapped in the midst of a mental breakdown. On disc two, the gentle acoustic phrasings of “Is There Anybody Out There?” and the lilting orchestrations of “Nobody Home” reinforce Floyd’s feeling of isolation. When his record company uses drugs to coax him to perform (“Comfortably Numb”), his onstage persona is transformed into a homophobic, race-baiting fascist (“In the Flesh”). In “The Trial,” he mentally prosecutes himself, and the wall comes tumbling down. This ambitious concept album was an across-the-board smash, topping the Billboard album chart for 15 weeks in 1980. The single “Another Brick in the Wall, Pt. 2” was the country’s best-seller for four weeks. The Wall spawned an elaborate stage show (so elaborate, in fact, that the band was able to bring it to only a few cities) and a full-length film. It also marked the last time Waters and Gilmour would work together as equal partners.
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass); Nick Mason (drums). Additional personnel: Bruce Johnston, Toni Tenille, Joe Chemay, John Joyce, Stan Farber, Jim Haas, Islington Green School (background vocals). Producers: Bob Ezrin, David Gilmour, Roger Waters. Recorded at Superbear Studios, Miravel, France; Producer’s Workshop, Los Angeles, California; CBS Studios, New York, New York between April and November 1979. Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).